Though the switch happens so frequently that it ultimately becomes quite distracting.ĥ4 Images While back home on an enforced vacation, Lucy struggles to reconnect with her husband Drew (Dan Stevens) – who if anything is even more of a straight arrow – and so sets about doubling down to land a seat on the next mission. Then it’s over, and Lucy is home, endeavouring to rejoin the human race having witnessed what one astronaut calls “the vast celestial everything.” Anyone who has watched Hawley’s TV show Legion knows that he is an innately visual storyteller, and the way in which he illustrates this contrast is initially beguiling, with sequences in space, or at NASA, playing out in 5:3 widescreen, and the screen shrinking down to a more boxy 4:3 for more mundane scenes of domesticity. Lucy begs Mission Command for a few more minutes. When proceedings commence, she’s floating through space, tethered to her ship, a serene expression on her face. Natalie Portman plays Lucy Cola, a brilliant straight arrow who excels at everything she turns her hand to. However, when combined with a lurid tale ripped directly from the headlines – Lucy in the Sky is “inspired by real events” – the movie slips into melodrama. Brown and Elliott DiGuiseppi script that he retooled – works when examining the psychological fallout from such a trip. Legion and Fargo showrunner Noah Hawley’s directorial debut – from a Brian C. For this is the story of those remarkable folk who reach for the stars, orbit the planet, then return to earth with a thud struggling to come to terms with a world that suddenly seems so small.
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